Chinese women artists were commonly seen in the upper-class households and entertainment districts of imperial China. From the Yuan (1279–1368) to the Qing (1644– 1911) dynasties, many Chinese women created works of art and received recognition for their achievements by their contemporaries. They were often the female counterparts of the professionals and scholar painters whose theories and practices dominated later Chinese painting. Most of these women belonged to the gentry, some even to royal families, or were courtesans who served gentlemen of the elite class. Some were wives or daughters of professional painters, and others were concubines, nuns, courtiers, or women with unknown biographies. Forty-five paintings were selected and presented at the China Institute, with works from Guan Daosheng, Ma Shouzhen, Xue Susu, Empress Dowager Cixi, and Miao Jiahui.
Views from Jade Terrace: Chinese Women Artists, 1300-1912
玉台纵览:中国女画家作品展 (China House Gallery Title: 玉庭院所观)
October 7 – December 2, 1989
Exhibition organized by the Indianapolis Museum of Art; catalogue published by Indiana University Press, Bloomington; copyright 1988 by Indianapolis Museum of Art
• Indianapolis Museum of Art, Indianapolis, Indiana, September 3– November 6, 1988
• Virginia Museum of Fine Arts, Richmond, Virginia, December 6, 1988– January 15, 1989
• Asian Art Museum of San Francisco, San Francisco, California, February 15, 1989–April 2, 1989
• National Museum of Women in the Arts, Washington, DC, April 24, 1989–June 4, 1989
• Hong Kong Museum of Art, Hong Kong, June 30, 1989–August 27, 1989
• Virginia Museum of Fine Arts, Richmond, Virginia, December 6, 1988– January 15, 1989
• Asian Art Museum of San Francisco, San Francisco, California, February 15, 1989–April 2, 1989
• National Museum of Women in the Arts, Washington, DC, April 24, 1989–June 4, 1989
• Hong Kong Museum of Art, Hong Kong, June 30, 1989–August 27, 1989
Media Coverage
- Stefan Janis, “China Institute Exhibit Showcases Art of Women in Male-Dominated Society,” The Star-Ledger, October 28, 1989.
“That [concentrating on minute areas of Chinese art] is precisely one of the strengths of the current show, where different treatments of similar subject matter can be compared on hand-scrolls, hanging scrolls and fans, and the unusual does not go unnoticed.”
Media Coverage
- Daily News
- Sing Tao Daily 星岛日报
- World Journal 世界日报
Related Programs
- Symposium: “Chinese Woman Artists” (October 21, 1989). Speakers included: Paul Ropp, Maggie Bickford, Marsha Weidner, Jin Gao, Vivian Tsao, and Huang Sunning.
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