Born in 1907, C.C. Wang was praised as one of the best Chinese artists of his generation. A New York City resident for decades, he was also respected for his knowledge of Chinese painting, his teaching, and his private art collection. In his early years, Wang focused exclusively on the brushwork of traditional masters and developed mature brush painting skills, with little interest in composition or color. After decades of study in traditional Chinese and modern Western painting, he formed his own painting style using inked texture, random strokes, prominent and original color, unusual forms, and dramatic compositions. This exhibition featured thirty pieces of Wang’s landscape paintings, representing his four stylistic stages, from the 1930s to the 1980s.
Mind Landscapes: The Paintings of C. C. Wang
胸中丘壑:王己千绘画
April 3 – May 27, 1989
Curated by Jerome Silbergeld
Exhibition organized by the Henry Art Gallery at University of Washington, Seattle; catalogue published by Henry Art Gallery; copyright 1987 by Henry Art Gallery
Media Coverage
- Michael Brenson, “Review/Art; C.C. Wang and the Fruits of Perseverance,” The New York Times, April 28, 1989.
“Although the retrospective is much smaller in New York, this is the only stop to include a selection of the artist’s personal objects. The brushes, brush rests, arm rests, ink boxes and taiku [taihu] rock define his roots in the literati tradition. The quality of the work is high.”
“The same attention is paid to everything, from the lines holding the compositions together like architectural ribs, to the patches of mountains or gusts of vapor suspended from the ribs like clothes from a line. The pleasures of this show are not easy to exhaust.”
Media Coverage
- The New Yorker
Related Programs
- Symposium: “Mind Landscapes: The Paintings of C.C. Wang.” Jerome Silbergeld, symposium chair, led a panel of collectors and Chinese artists in discussing the current state of Chinese painting and likely future trends.
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