This comprehensive exhibition brought together sixty-nine Chinese glass objects produced from the fourteenth to the nineteenth centuries during the Yuan (1279–1368) and Qing (1644–1911) dynasties. Although Chinese people have used glass since ancient times, glass flourished under the influence of imperial patronage and technology introduced by European glassmakers during the Qing dynasty. The Chinese combined Western technology and native Chinese art forms in the production of glassware; they explored a variety of decorative techniques, including the improvement of clarity and the creation of vivid imitations of jade, turquoise, porcelain, and other precious materials.
Clear as Crystal, Red as Flame: Later Chinese Glass
澄如水晶红如火:中国晚期玻璃器
April 21 – June 16, 1990
Media Coverage
- Rita Reif, “Antiques: Funny, It Doesn’t Look Like Glass,” The New York Times, April 22, 1990.
“Among the most successful pieces on exhibit are the vessels that capture the transparency of glass – tinted in brilliant reds, blues, greens or violet, or colorless with diamond-point engravings as delicately wrought as ice-etched windows in winter.”
- “Clear as Crystal, Red as Flame, Later Chinese Glass,” Chinese-American Art News, June 1990.
Media Coverage
- Orientations
- The New Yorker
- 亚美时报
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