Although the practice of mounting Oriental porcelain in Europe dates at least to the late Middle Ages, the quality and quantity of mounted ceramics did not attract public interest until the middle of the eighteenth century, when chinoiserie became a fashion in Paris. From 1740 to 1760, more than any other period, a considerable amount of Oriental porcelain was set into metal mounts, generally, gilt bronze mounts designed by Europeans. By modifying their exotic character into a quasi-French appearance, mounted Chinese porcelains could be displayed in rooms that satisfied French tastes for interior decoration. The majority of the thirty-four pieces in this exhibition were Chinese porcelains mounted in Paris from 1740 to 1760, along with drawings and paintings featuring mounted porcelain.
Chinese Porcelains in European Mounts
欧式配座上的中国瓷器
October 22, 1980 – January 25, 1981
Media Coverage
- “Report from America,” Oriental Art, Winter 1980/81.
“Some of the most satisfying and appealing examples in the exhibit effect a harmonious union between the shape of the porcelain and the character of the mount.”
- Richard F. Shepard, “Going Out Guide,” The New York Times, October 27, 1980.
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