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Blanc de Chine: Divine Images in Porcelain
德化窑:白瓷美影

September 19 – December 7, 2002

Known as “Blanc de Chine” in the West, Dehua ware, one of the most famous and important white-glazed porcelains, was produced in Dehua 德化 (meaning “Virtuous Cultivation”) in Fujian Province, as early as in Song dynasty (960–1279). Distinguished by its soft and lustrous appearance, Dehua ware was popular during the Ming (1368–1644) and the early Qing (1644–1911) dynasties. Featuring nearly eighty pieces from the fourteenth century through the early twentieth century, this exhibition presented sculptures of Buddhist and Daoist deities as well as animal sculptures, wine pots, bowls, scholars’ accessories, and unusual European pieces designed for export during the seventeenth and early eighteenth centuries.

Curated by John Ayers

Exhibition Catalogue

Authors: John Ayers with an essay by Yuan Bingling

The fine, white-glazed porcelain figures and vessels produced in Dehua, Fujian province, have long been admired in the West under the name blanc de Chine. Featuring a wide selection of examples from American collections, this exhibition catalog explores the history and the unique economic and cultural circumstances of this remarkable ware both in China, where it was produced and used domestically, and in Europe where it was exported. It also offers a fresh look at attributions to master potters from the Ming dynasty into the twentieth century.

Exhibition catalog, 2002. Paperback, 139 pages: ill.
ISBN: 0-9654270-6-4

Media Coverage

Media Coverage

  • Sing Tao Daily 星岛日报
  • The New York Times
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