Skip to content

Along the Yangzi River: Regional Culture of the Bronze Age from Hunan
沿着长江:湖南的古代青铜器

January 27 – June 12, 2011

The middle bank of the Yangzi River is one of the most significant cradles of Chinese civilization and is, today, a vibrant area for study of Chinese bronze culture. Several significant excavations over the past decades have facilitated the examination of undeveloped aspects of this culture through exquisite bronze vessels from the Hunan Provincial Museum. This exhibition explored regional culture along the Yangzi River in three parts: the development and characteristics of regional bronzes, their function and patronage, and their cultural connection to central China. By presenting more than seventy technically sophisticated Chinese bronzes, including animal-shaped ritualistic vessels, ornate percussion instruments, bells with intricate patterns, and finely decorated swords and axes, this exhibition revealed the fascinating story of this region.

This exhibition is made possible, in part, by public funds from the National Endowment for the Arts, the New York State Council on the Arts; and the generous support of Mary Lawrence Porter and China Institute Friends of the Gallery.

Curated by Chen Jianming, Jay Xu, and Fu Juliang

Organized by China Institute Gallery in collaboration with the Hunan Provincial Museum. Exhibition directed by Willow Weilan Hai.

Shaw Ruddock Gallery, Bowdoin College Museum of Art, Brunswick, Maine, September 1, 2011–January 8, 2012

Exhibition Catalogue

Authors: Chen Jianming, Jay Xu, and Fu Juliang

The middle bank of the Yangzi River is one of the most significant cradles of Chinese civilization and an important locus for the study of Chinese bronze culture. Several important excavations in the past few decades have illuminated some of the little known aspects of this culture through exquisite bronze vessels of the Shang and Zhou dynasties (16th – 3rd century BCE). This exhibition, culled from the collection of the Hunan Provincial Museum, and catalogue introduce audiences to new discoveries about this seminal time in Chinese history. The fascinating story of this regional culture is revealed in three ways: through the development and characteristics of Hunan bronzes, their function and patronage, and their cultural connection to central China.

Exhibition catalog, 2011. Paperback, 117 pages: ill.
ISBN: 978-0-9774054-6-6

Media Coverage

  • Holland Cotter, “Art in Review: Along the Yangzi River,” The New York Times, June 3, 2011.

    “Sometimes you walk into exhibitions in the China Institute’s two small galleries and you can’t quite believe what you’re seeing: unfamiliar examples of ancient art of a kind and quality you would otherwise have to travel deep into China to find. And even there you would be hard-pressed to see work so lucidly presented, and with so generous an amount of supporting scholarship.”

    “It’s also enchanting to look at, which is the bottom-line attraction of everything here, objects rich in detail, from the assertions and delicacies of linear surface designs to almost impossible subtleties of color and tone in patinas…The exhibition itself, once seen, has a long shelf life in the mind.”

  • “Along the Yangzi River: Regional Culture of the Bronze Age from Hunan,” Asian Art, March 2011.

    “This comprehensive exhibition focuses on ancient bronzes from the middle banks of the Yangzi River…and surveys the story of this regional culture in three ways: the development and characteristics of Hunan bronzes, their function and patronage, and their cultural connection to central China.”

Media Coverage

  • Sing Tao Daily 星岛日报
Donate Now Subscribe