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Classical Chinese Theater: A Form of Symbolic Stage Art

写意的舞台艺术 — 中国古典戏剧

February 22, 2025

9:30 - 11:30 AM EST

As one of the three oldest theaters in the world, Chinese theatre has a long history, takes root in the splendid Chinese culture, embodies Chinese aesthetical ideas, and is characterized by synthesis, impressionism and conventionalism. This lecture would introduce its origins and history, and interpret the singing, speech, dance and acrobatic fighting in episodes of the masterpieces The White Snake, The Peony Pavilion, The West Chamber and The Fork Road. In addition, this event would help us have a better understanding of the role categories, facial makeup and costumes in classical Chinese theater. We would also have an opportunity to enjoy an episode of the Peking Opera The White Snake that is performed in the English language!

A 30-minute discussion will be led by Ms. Angela Liao, Chinese Program Director, University of Southern California; Board Member, Chinese Language Teachers’ Association of Southern California. 

2 hours of CTLE credits are offered for New York State teachers attending this program.
In partnership with New England Chinese Language Teachers Association (NECLTA) and Chinese Program at Tufts University, PDP certificate is available for NECLTA members.

This two-hour online seminar will be in Chinese.
该讲座为中文。

For questions, please contact Yongqiang Lin at [email protected]


This program is made possible through the support of the Center for Language Education and Cooperation, the ECNU Center, and generous supporters of China Institute in America.

Speaker
Maoqing Chen 陈茂庆

Dr. Maoqing CHEN, Professor of English Department, College of Foreign Languages, East China Normal University, Visiting Research Scholar at the University of Hawaii (2013), Fulbright Research Scholar at the University of California at Irvine (2013-14), Visiting Scholar at the University of Warwick, the U. K. (2024),Chinese Director at Confucius Institute of the University of Oregon (2016-19), He has accomplished the Project of National Endowment for Social Sciences “The Dissemination and Reception of Traditional Chinese Theater in the United States of America” (2014-2020),and published monographs Dream in Drama: A Comparative Study of Tang Xianzu and William Shakespeare (2008) and The Dissemination and Reception of Chinese Opera in Hawaii (2021).

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