Skip to content

Humanism in China: A Contemporary Record of Photography
中国人本:纪实在当代

September 24 – December 13, 2009

After traveling to twenty provinces and viewing nearly one hundred thousand photographs by one thousand photographers, the curatorial committee from Guangdong Art Museum selected approximately six hundred photos by 248 photographers, who were dedicated to presenting a visual truth about China during a period when notions of truth and reality were rapidly and radically changing. Thus the first major museum collection of documentary photographs, produced by the nation’s own photographers during the years 1951 through 2003, was assembled, offering a revealing glimpse into rural and urban daily life in China beyond the glossy veneer of the economic boom. Selected from the original exhibition, the one hundred photographs presented at China Institute were a study of daily life of anonymous and ordinary people, presenting neither ideological paragons nor moral admonitions, but rather the vitality and diversity of a nation.

This exhibition is made possible, in part, through the generous support from the China Institute Friends of the Gallery.

Curated by An Ge, Hu Wugong, and Wang Huangsheng

Exhibition originally organized by the Guangdong Museum of Art; re-organized for China Institute by Jerome Silbergeld and China Institute Gallery.

Exhibition Catalogue

Authors: Jerome Silbergeld and Richard K. Kent

This exhibition was originally organized by the Guangdong Museum of Art. Selections for the American tour at China Institute were made by Jerome Silbergeld. 100 photographs from the original exhibition’s 601 have been selected and are on view in the U.S. for the first time. This catalogue contains essays by Jerome Silbergeld, the P.Y. and Kinmay W. Tang Professor of Chinese Art History, Princeton University, and Richard K. Kent, Professor of Art History, Franklin and Marshall College.

Exhibition catalog, 2009. Paperback, vii, 47 pages. (11 in/h x 8.5 in/w; 8oz).
ISBN: 978-0-9774054-4-2

Media Coverage

  • Martin Barnes Lorber, “Humanism in China, A Contemporary Record of Photography,” Asian Art, September 2009.

    “Unfortunately, what is left out of the acknowledgment of these depressing situations is an understanding of the lives and humanness of the ordinary citizens who go about their daily lives as best they can. That is where this important exhibition will open eyes and minds, not just to the panoply of human experiences but also to the magic that photographs can create and the history of documentary photography in China.”

Media Coverage

  • China Press
  • Orientations
  • Sing Tao Daily 星岛日报
  • The Wall Street Journal
  • World Journal 世界日报
Donate Now Subscribe