Today, using a camera to record people’s lives is commonplace; but in the nineteenth century, the idea was revolutionary. John Thomson, a groundbreaking Scottish photographer, traveled to the Far East at the beginning of 1868, and used his camera to document the diverse people and places he encountered throughout China. Thomson traveled over four thousand miles burdened with glass plates, several large wooden box-type cameras, lenses, tripods, a complete chest of chemicals, and a portable light-proof tent that was big enough to house his entire darkroom paraphernalia. The Chinese he encountered in his travels often called Thomson a foreign devil. Nevertheless, he left China with over 1,200 glass negatives and went on to publish five related books of photography. This exhibition presented over seventy rarely-seen large-format, sepia-toned prints of Thomson’s works. The works were published with narrative text based on his writings, which recorded the customs, monuments, occupations, and appearances of ordinary Chinese people.
Capturing a World: China and Its People—Photography by John Thomson
捕捉世界:约翰•汤姆森所摄的中国和中国人
March 26 – June 11, 1994
Organized by the British Council; catalogue published by the British Council in association with the Wellcome Institute for the History of Medicine; copyright 1991; text by The British Council; photographs by Wellcome Institute Library, London
Media Coverage
- “Arts & Leisure Guide,” The New York Times, April 24, 1994.
- Charles Hagen, “Art in Review: John Thomson,” The New York Times, May 27, 1994.
Media Coverage
- The New Yorker
- World Journal 世界日报
Related Programs
- Short Courses: “Eastern Exposures, Western Impressions” (March– May, 1994). Speakers included: Will Stapp, Richard Whelan, and Lois Conner. This series explored the relationship between the history of photography and Western photographic documentation of China that has existed for more than a century.
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