Chinese Calligraphy: The Art of Regular Script (Kaishu, 楷书) II
As a continuation of Kaishu I from the Fall Semester, this course is designed to provide the next level of learning in writing Chinese calligraphy in the regular script (Kaishu). Beginning with a review of the basics, students will then explore more complex characters and build writing skills in gradual progression.
Kaishu, or regular script, developed during the Han Dynasty (202 BC – 220 AD) and remains the most widely used style today. Known for its clear, legible characters with balanced proportions and distinct, separate strokes, Kaishu is often taught as a foundational style for learning Chinese characters and calligraphy.
Through step-by-step instructions from the instructor and hands-on practice in class, students will embark on a journey exploring the richness of Kaishu calligraphy, covering essential aspects such as tools and materials, principles and aesthetics, stroke techniques, and more.
This course requires students to practice outside of class and submit their work for comments and feedback.
By the end of the course, students will have built a solid foundation in Kaishu calligraphy, enabling them to appreciate and create beautiful calligraphic works that embody the essence of Chinese culture and tradition.
Class Schedule
Sunday, 10:00 – 11:30 AM
January 12 – March 16
10 sessions (15 hours of virtual class instruction + outside-of-class instructor comments)
$330 members / $370 non-members
(plus a $30 non-refundable registration fee)
Maximum Number of Students: 10
Course Outline:
Tools Needed:
Detailed requirements and a recommended list will be provided. Students can choose to buy tools from Amazon or locally.
Steps to Take the Course:
References:
颜真卿《多宝塔碑》The stele rubbing of Duo Bao Ta, created by Yan Zhenqing in 779 AD, is a masterpiece of Chinese calligraphy and a pinnacle of the Regular Script (Kaishu) style. With well-proportioned characters, balanced composition, and harmonious rhythm, it exemplifies the hallmarks of Kaishu. Yan’s brushwork showcases precise execution, elegant transitions, and a perfect blend of strength and grace. The inscription is renowned for exceptional legibility and a profound artistic expression that transcends mere writing. It has served as a model for generations, and Yan’s unrivaled contribution to Kaishu calligraphy is cemented through this monumental work.
Yi Su 苏艺 is a professional Chinese calligrapher, member of China Calligraphers Association and North America Chinese Calligraphy Association. Practicing calligraphy for over two decades, she began her training in childhood and has earned many awards. Her artworks have been showcased in various exhibitions. After earning a master’s degree in arts administration, she held a solo exhibition at Pace University Gallery in 2015 and founded her art studio “BIMO Theory” in 2020.
Now based in New York, Yi is dedicated to teaching calligraphy and creating her own artwork. She is a descendant of Su Shi 苏轼 (1037-1101), renowned poet, scholar, and calligrapher in Song dynasty. While proficient in multiple calligraphy styles, Yi particularly favors “small standard script” and “large cursive script,” through which she takes most of passion to express her unique artistic vision.
To learn more about Yi Su, please visit her website: https://www.bimotheory.com/
I first learned with 苏 老 师 during China Institute's Lunch and Learn program. I was so glad when she offered her calligraphy course this fall. She is an excellent teacher, very meticulous and methodical in making calligraphy accessible and enjoyable. What I appreciate most is how her exercises (homework) not only help students understand proper stroke order and "shapes" but also create more confidence in writing altogether. Her calm manner during class also reinforces the meditative quality of calligraphy.
— Vanessa G. from the Fall 2024 Class
